Perhaps in some alternative universe, President Kennedy survived his trip to Dallas
in November of 1963. He lived to see realized his goal of a moon landing before
the end of the decade, and, in congratulating NASA, made sure to thank the many
thousands who worked so hard to make his dream a reality. And somewhere, David Lifton
felt Kennedy was speaking to him.
In our reality, however, it didn’t turn out that way – except, of course, for the
moon landing. And there was still the distinct possibility that UCLA engineering
graduate student Lifton would make a contribution to the space program, since he
worked for a major NASA contractor while attending school here. However, on a trip
home to New York a year after the assassination, he made the fateful decision to
go to a lecture by Mark Lane, one of the first - and certainly most famous – critics
of the government’s official story, the Warren Report.
That lecture, and another by Lane a few months later in the UCLA Student Union (now
Ackerman), started him on a quest that continues to this day – one that landed him
in the dean’s office and, much later, on the New York Times best seller list; an
odyssey enabled, in no small part, by his access to the people and resources at
UCLA.
Lifton’s 1981 book “Best Evidence” details his (at the time) 15-year quest for truth
in the assassination of President Kennedy, with UCLA playing a vital, even essential
role in providing an environment that was conducive to a multi-disciplinary approach
to tackling the problem – a perfect example of what a university can provide to
those willing and able to make full use of its assets.
But not just any university would have sufficed: UCLA had on its law faculty Wesley
J. Liebeler, who had been counsel for the Warren Commission, which, in the wake
of the murder of accused assassin Lee Harvey Oswald, had been convened by President
Lyndon Johnson and tasked to write the official report of the assassination. Lifton’s
book discusses how he sparred with Liebeler over the Warren Report, but also how
he received encouragement and invaluable insight into the way a lawyer thinks.
Through Liebeler and other faculty members and students in the School of Law, Lifton,
who had received a bachelor’s degree from Cornell in engineering physics, was exposed
to what, in our current world, might be called the clash between “facts” and “alternative
facts.” He eventually understood that to a lawyer, a “fact” is something that is
provable in court – if a jury can be made to believe something, it’s a fact; otherwise,
it’s not. “’Fact’ had a significantly different meaning for Liebeler’s students
than for me,” he wrote in “Best Evidence.” “In law, facts were not the immutable
truths established by science – facts were merely the opinions of a jury. After
hearing both sides present evidence, this group of twelve reasonable men” - the
60s vernacular for objective jurors - “determined what the facts were, and rendered
a verdict.”
Perhaps even more significantly, Lifton learned which facts are the most important
in a murder case – what is, in fact, the “best evidence”: the body of the deceased
as described by the autopsy. No matter what other information surfaces, the conclusions
of the autopsy (e.g., regarding bullet trajectories) take precedence over everything
else; the entirety of the evidence need not be explained or fitted into a coherent
explanation of the crime.
Second to the autopsy, in terms of weight given to evidence, would be any photographic
documentation that might exist (like, say, a home movie by a Dallas dressmaker named
Abraham Zapruder). Considerably further down the evidentiary chain, in terms of
importance, would be eyewitness accounts, including, for example, the descriptions
of the president’s wounds by the Dallas doctors, which appeared to tell a different
story. Their testimony was deemed unreliable, if not irrelevant, as was that of
the many witnesses who claimed that they heard and saw evidence of shots from locations
other than Oswald’s alleged perch in the Texas School Book Depository.
Lifton was invited to play “devil’s advocate” in a seminar course Liebeler was giving
on the Warren Report, as well as in private discussions with Liebeler, often attended
by one of his top students, Susan Wittenberg, J.D. ‘66. Through this exposure to
an entirely different segment of academia, Lifton now understood why the Commission
concluded that Kennedy had been shot from the sniper’s nest in the Book Depository.
“Arguing with the students and listening to them deliberate, I soon realized an
investigation did not have to be an organized conspiracy to start with the Warren
Commission’s evidence and come to its conclusions,” he wrote. “All that was needed
were lawyers. Among my peers in 1966, this was a radical notion. The first-generation
Warren Report critics not only believed the Warren Report was wrong, but that the
Commission’s legal staff had perpetrated a deliberate coverup.
“But what I saw in Liebeler’s class made me understand that no coverup was necessary.
Liebeler’s class was like a miniature Warren Commission, and week after week, I
was more upset as I watched the process unfold. Most disturbing, however, was …
an attitude that the objective truth in the Kennedy assassination was unknowable
– and so the legal truth was as good an approximation as any.”
A lone assassin shooting from behind is what the “best evidence” showed, but Lifton’s
scientific training still forced him to attempt to explain all the anomalies that
he and other critics saw in the rest of the evidence – such as the famous “back
and to the left” head snap, about which he confronted Warren Commission member Allen
Dulles, when the former CIA chief spoke in Hedrick Hall’s Sierra Lounge in December
of 1965. Not satisfied with Dulles’ denials of anything being amiss, he enlisted
the help of doctors and researchers in the UCLA Brain Research Institute to eliminate
the possibility of the motion being caused by a neuromuscular reaction. He confirmed
with a member of the physics faculty that Newton’s laws do, in fact, apply as one
would think they would and that, if shot from behind, Kennedy should not have reacted
the way he did.
Ironically, the scientific mindset that had carried him through Cornell and to UCLA
now upended his academic career. He couldn’t let go of the problems with the Warren
Report, so, in September of 1966, he found himself in the engineering dean’s office
being told he had “gone off on a tangent on the Kennedy assassination” and was being
dismissed. “At some point during the meeting, deciding I had nothing left to lose,
I argued back,” Lifton wrote in “Best Evidence.” “Did it really matter whether or
not I took an extra six months, even a year, to get my master’s degree? What was
the purpose of a university anyway? Wasn’t it a place where students were taught
to believe that the truth will out?”
His argument did not save his academic career, but he was unwilling to change his
thinking or his direction - the engineer and physicist in him would not be deterred.
“There was obviously something wrong with the Warren Report. It seemed possible
that through dint of sheer hard work with the available data, the truth could be
ferreted out.”
Perhaps not coincidentally, Lifton’s major breakthrough on the Kennedy case came
in October of 1966, a few weeks after his dismissal from graduate school. It came
in two parts, the first being the realization that perhaps the autopsy surgeons
and the Dallas doctors were both right – but that would require the body to somehow
look different to those two groups. Amazingly, he discovered the mechanism for this
difference within hours of first looking for it: a notation by two FBI agents present
at the autopsy, contained in a document not published in the Warren Report, that
at the outset of the autopsy, it was “apparent” that there had been “surgery of
the head area, namely, in the top of the skull”—surgery which had not been done
in Dallas.
Everyone else had missed this. The reaction of Liebeler and Wittenberg to this discovery
was to focus on what this “fraud in the evidence” meant from a legal perspective
– i.e., as Lifton said recently, “It meant the Warren conclusions were based on
a foundation of sand. Initially, I thought of ‘the conspiracy’ as being ‘the conspiracy
of shooters’ in Dealey Plaza. But the conspiracy to alter evidence far transcended
that in significance, and that was the point driven home by Liebeler’s reaction
to my discovery, as well as conversations with Susan that I subsequently had, over
the course of the next month. Interacting with them permitted me to appreciate their
perspective, which was a ‘legal perspective’ (and not my rather ‘mechanical’ perspective).
It shifted my focus from ‘multiple assassins’ as being ‘the conspiracy’ to ‘fraud
in the evidence’ as the primary issue.” The possibility of a high-level, before-the-fact
conspiracy began to overtake that of a “conspiracy of shooters.” As Lifton wrote
in “Best Evidence,” “I was now less interested in who put the bullets in Kennedy
than in who took them out.”
Liebeler and Wittenberg were focused on this obstruction of justice and its potentially
earth-shattering implications. “They had that global view, almost immediately,”
said Lifton. “They didn’t need to know the details. If the body was altered, then
the entire process (i.e., of ‘legal fact-finding’) was corrupted. They got it; they
understand that—in a flash. Because of their legal (‘evidence-based’) education,
they had a ‘systemic view’ of the issues, and the problem. By contrast, I was ‘counting
assassins.’ Fairly quickly, over the course of just a few days or weeks, I got it;
this was all part of my education” in the way a lawyer thinks.
Lifton speculates that it might not have been a one-way street - the lawyers educating
the engineer: “Liebeler actually said to Susan: ‘I hope you are aware that we are
in the presence of someone who has a superior contact with reality.’ I think what
he meant was that, by following legal methodology, they were led down the garden
path, whereas I, by following my own combination of physics and evidence, was able
to pierce the disguise. Just my opinion. Just a thought.”
Liebeler, who died in 2002, remained on the UCLA faculty for more than 30 years,
and, though seemingly open to the idea that the Warren Report was wrong, never publicly
admitted any serious doubts.
Privately, however, Liebeler’s behavior was decidedly different. Following Lifton’s
discovery, the attorney wrote a 13-page memorandum addressing the issue of problems
with the autopsy, focusing on facts which bore on the question of whether someone
had committed violence against the body, specifically calling attention to Lifton’s
discovery of the Sibert and O’Neill FBI report, with its statement about pre-autopsy
head surgery.
Besides giving Lifton full credit for making the discovery, Liebeler noted that
no surgery had been performed in Dallas and raised the issue of possible public
reaction to the revelation that (a) such a thing had occurred, and (b) it had been
included in the FBI report of the autopsy, had gone completely unnoticed, and had
not been addressed by the Warren Commission.
According to Lifton, Liebeler’s memo - formally addressed to J. Lee Rankin, former
General Counsel of the Warren Commission - was sent to all seven members of the
Commission, the entire legal staff, the Kennedy family attorney, and the Attorney
General Robert F. Kennedy, the president’s brother and most trusted advisor. The
memo generated little apparent interest from Rankin, who responded to Liebeler by
saying that the Warren Commission no longer existed and, besides, he was satisfied
with the testimony of the autopsy doctors.
Lifton says that Liebeler also discussed the issue with Ed Guthman, who was a close
friend of Robert Kennedy’s (and was then National Affairs Editor of the Los Angeles
Times). Lifton says that there is no question that Robert Kennedy was aware of his
discovery, and actually attempted to pursue it, the details of which he promises
to provide in his forthcoming book, “Final Charade.”
Though he expressed – and formally documented – concerns privately, Liebeler’s public
posture was entirely different. He debated Lane in front of more than 5,000 people
in the Ackerman Grand Ballroom in 1967, vigorously defending the work of the Commission,
while at the same time repeating “we were only human.” (This led to a Daily Bruin
headline the next day, “Liebeler Kills Faith in ‘Being Human’.”) Lifton speculates
that, though the university clearly encouraged debate on the subject, disavowing
the conclusions of the Commission was perhaps not the best way for one of its law
professors to achieve tenure – even in the progressive 1960s.
Lifton, though, having already gone on leave from his aerospace job, now had nothing
left to lose. If he had “gone off on a tangent” before, he was now all in. Over
the next 15 years, he would interview key witnesses and pursue important evidence
relating to not only the chain of possession of the president’s body, but that of
the Zapruder film, the authenticity of which he was one of the first to question.
Lifton realized that if the president’s body was altered, the Zapruder film, which
agreed with the autopsy findings, must have been altered as well – and he found
evidence suggesting that this was, indeed, the case. He haunted The School of Theater,
Film and Television’s Melnitz Hall, soaking up as much as he could about manipulating
motion picture film imagery. And he had his first brush with feature filmmaking,
serving as researcher on the movie “Executive Action,” a fictionalized dramatization
of the assassination, co-written by Lane and starring, among others, Burt Lancaster.
Lifton continued to avail himself of UCLA’s publicly accessible resources, spending
hours at the Biomedical Library creating detailed briefing notebooks in preparation
for an expert’s examination of the autopsy photographs and X-rays, consulting friends
at the Medical Center whenever he needed assistance. He even obtained samples of
different types of X-ray film from the radiology department, in an attempt to determine
if the Kennedy X-rays were duplicates or originals.
As the 1970s came to a close, Lifton secured a book deal and eventually had to bite
the (magic?) bullet and publish, although his research continued unabated. The book
focused on his personal journey, the apparent discrepancies in the evidence and
the Warren Report, and the experiences of important witnesses in Dallas and at the
autopsy at Bethesda Naval Hospital, culminating with his assertion that, as proclaimed
on the book jacket, “the casket was empty.” This startling statement - pertaining
to the coffin that the world had seen offloaded from Air Force One upon its arrival
from Dallas – came from the testimony of Dennis David, a Navy medical technician
who, as Chief of the Day, helped unload the president’s body from a black hearse,
which had arrived at the rear entrance of the hospital. David and his men unloaded
a cheap shipping casket about 20 minutes before the Navy ambulance (with the ornate
Dallas coffin, and Jacqueline and Robert Kennedy) arrived at the front of the hospital.
David was told that the Dallas coffin was empty, that the body was in the shipping
casket that he and the others had offloaded, and that all of this was a “security
measure.” This claim was later corroborated by other witnesses, helping to paint
a bizarre – but well-documented – scenario of ambulance chases, multiple morgue
entrances in multiple caskets, and different wounds seen by different medical teams
at different times.
Lifton now could document the disruptions in the chain of possession of the “evidence”
– the president’s body – and he could show that this had led to illicit surgery,
thereby providing the mechanism for a cover-up. This may be his most important contribution
to the case. Researchers had always been faced with claims that the medical evidence
backs the Warren Commission’s conclusion; now they had an answer – i.e., the evidence
was fraudulent - and an indication that they might be on the right track.
Following publication of the book, which reached #4 on the New York Times best seller
list, and #1 on both the AP and UPI lists, Lifton continued his research, and, in
October of 1988, released an updated version of the book, in which he published,
for the first time, the actual autopsy photographs of President Kennedy (to which
even the Warren Commission did not have access). Lifton eventually played a small
behind-the-scenes role in Oliver Stone’s “JFK,” which brought the case more into
the pop culture mainstream. (Lifton does not subscribe to the theory, documented
in the film, that a New Orleans businessman was involved in the assassination.)
A direct result of the movie’s impact was the creation of the JFK Assassination
Records Act and the Assassination Records Review Board (ARRB) – to which Lifton
contributed heavily, providing many tapes and video records of his interviews.
As a result of action by the ARRB, what is supposed to be the final batch of documents
pertaining to the assassination was released in October 2017 by various agencies - notably
the CIA and FBI - that have previously been reluctant to completely open their files
to the public. Will this new information prove or disprove the existence of a conspiracy
in the assassination of the youngest president ever elected? Whether or not these
documents contain a smoking gun remains to be seen, although Lifton is skeptical.
“It's always nice to get additional detail—additional ‘pixels’ for the larger picture—but
I don’t believe there’s anything fundamentally new or explosive in these remaining
pages.”
While researchers pore over the thousands of newly released pages, Lifton is completing
a new, two-volume work, “Final Charade,” that, he says, contains a detailed examination
of Oswald’s life and reveals heretofore unknown information regarding the alleged
plot in Dallas. Lifton says that he would also like to revisit the suspected alteration
of the Zapruder film, with which he dealt briefly in “Best Evidence,” but which
continued to be a focus of his research and lectures well past the turn of the millennium.
“The explanation of how and where the film was altered - and, most importantly,
why - will take a separate book,” he said.
Lifton spoke recently of his as yet unpublished decades-in-the-making book “Final
Charade,” and on the path that his life has taken since being drawn in to a controversy
that, more than a half-century later, still refuses to die; one that he has played
a crucial – perhaps the crucial – role in keeping alive.
Q. Why has it taken more than 35 years since “Best Evidence” was published for you
to complete a second book?
A. The story of body alteration is far more complex than presented in “Best Evidence.”
That book reports what actually happened; but what happened is not what was planned.
“Final Charade” unveils the full story of what was supposed to happen, but did not.
By seeing what was planned, the reader then gets a full appreciation of the plot,
as it appeared on the drawing boards of the plotters; and it is then easy to understand
how, because of certain unexpected developments, things did not go according to
plan, resulting in a situation in which there were two contradictory medical records
– those from the Dallas doctors, versus those created by the Bethesda doctors. That
was never supposed to happen.
In addition, “Final Charade” presents the full truth about Oswald's role in this
affair; i.e., who he was, and how he was set up. In this regard, it details the
evidence that Oswald was a fake Marxist, working for the U.S. government and how
he was pre-selected as the scapegoat in the Kennedy assassination. It’s a complicated
story, and took years to unearth.
Finally, “Final Charade” will present the full story of how JFK’s five-city Texas
trip (and specifically, his Dallas trip) was planned (how, as Jackie said, JFK was
“lured” into making this trip); and how an artificial crossed-paths situation was
then created between the president to be murdered and the scapegoat to be framed.
In other words, it wasn’t an accident that Oswald ended up at the scene of the crime
at the time of the crime. It was central to the planning of the crime.
Q. Do you have any regrets about the way your life turned out? Do you ever wish,
for example, that you would have just completed your degree, rather than going off
on that tangent?
A. No. I remember how I felt when I first discovered the evidence of surgery on
the body. I had received certain advice: “Complete your master’s degree. You can
do this later!” I’m so glad I didn’t do that. It would have been psychological suicide.
No matter what path I then followed, I would have been aware of “the road not taken.”
Instead, I traveled that road, and I’m glad that I did.
I feel I’m lucky to have had the education that I did, that permitted me to tackle
some of the technical problems that are integral to a proper solution to the Kennedy
assassination.
But the real issue was not technological. It was the ruthless logic of an education
rooted in math and science. Without that, I could easily have become ensnared in
the mess of falsified evidence, and found it impossible to separate the false from
the real, to separate “fact” from “artifact.” I attribute my ability to navigate
these complicate waters to the math training.
Q. You’re now 78 years old – do you plan to retire at some point?
A. No; there’s too much remaining work to do.
Recognizing UCLA’s importance to his work, Lifton was, and still is, effusive in
his praise, acknowledging in “Best Evidence” the “kindness … shown to me by the
staff of the UCLA Research Library and the UCLA Biomedical Library, where much of
my research was done,” and emphasizing that “the UCLA Medical Center was a fabulous
resource. It was full of readily accessible medical specialists, because UCLA was
a teaching hospital.” In a recent interview, he restated his appreciation: “UCLA
was a fabulous research platform. I’d like them to have my archives when all is
said and done. They belong in a university, and UCLA is clearly the appropriate
one.”
If the research material that Lifton has amassed ever does find a home in an institution
of higher knowledge or other historical archive, will it come to be seen as containing
the Rosetta Stone that helped unlock the crime of the century, or merely the remnants
of a life spent chasing shadows that were never there? Then, as now, it will probably
depend on whom you ask.